Wednesday, 5 December 2018

All the normal sluggard excuses, but no escaping from the fact that this year has just flown by and I've been too busy to write the normal flow of observations, thoughts, reviews and general observations about what's been happening around the Edge of Jazz. Nonetheless in less than two weeks I have to produce my top ten albums of the years, several of which are unlikely to have been reviewed in the normal way as part of this blog. As has been the case over the last couple of years the choice has been incredibly difficult- the more so because it appears, as I have noted elsewhere, that British Jazz, or whatever label or guise or heading it appears under, is undergoing a huge revival of interest.
So, really this is just a warning that over the next two weeks, and starting next Tuesday 11th December I will produce Part 1 - Ten to Six - of my favourite albums of the year. It's an annual occurrence and I usually manage to include several albums that make people utter words like, "What!" "Why" and " I didn't rate that at all". In other words it a choice from the just over 1000 tracks that I've played on the show this year. (Actually there are slightly more than 1000, and Part 2 will include exactly how many for those who are complete-ists).
  I will add that the most played track, i.e. the one that I sneaked in more than once (5 times to date) is "Abusey Junction" by Kokoroko whom I'm delighted to say have signed a recording contract and will be producing a whole album of material in 2019.
  So, until next week...…..

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