Top Ten Albums 2022 - Five to One (and a few more that should've made it)
I'll try an make a few less blunders in the spelling and grammar in this one. Rushing to post 10 to 6, I seem to have omitted words and made random spelling mistakes - for which I apologise!
To reiterate, this list has nothing to do with sales, chart positions or indeed any other considerations that might affect or be affected by other people. It's what I have enjoyed the most from this years releases, and I'm already suprised that at least one of the albums in the previous post has appeared in a couple of other favourite albums list compiled elsewhere.
5. Claudia Acuna: Duo.
Simplicity itself, but done beuatifully. The clue is the title, a series of guests performing with Acuna, but not just a random set of guests,each bringing a different facet of performance to the voice, which is absolutely peerless. There are even a couple of solo tracks, but the ones that stand out are duets with Russel Malone, Regina Carter and Kenny Barron, but the other guests all complement both her style and her choice of material. A good starting point for listening might be her version of Chick Corea's "Crystal Silence"
4. Julian Lage: View with a room.
It's his second outing on Blue Note, and in my view much more rounded than "Squint" his first. Perhaps this is because on several tracks the trio is enlarged to a quartet by the guest appearance of Bill Frisell, who seems to encourage Lage to sit back and expand. The othe two members of the trio are no less impressive Dave King on drums and Jorge Roeder on bass. . Nearly all the tracks are self written, except "Echo" where he shares the credits with the bass player. Overall its a fluid display of virtuosity and it'll be interesting to see him live when he plays the Cheltenham Jazz Festival in 2023.
3. Emmet Cohen: Uptown in orbit.
Can't help but feel that this might be the final appearance on the Mack Avenue label for Cohen, who like I opined about Samara Joy two years ago, must surely be in line for a big label deal. This album displays all the qualities that made his first album so good, and extends his writing credits across a dazzling display of piano playing, helped out by the trio that seems to have taken to the road during 2022 - and is due to visit Europe in 2023. His choice of other peoples material is equally splendid ranging from Willie 'The Lion' Smith , Gerry Mulligan and the track that you might like to start with by Duke Ellington " Braggin' in brass"
2. Nimbus Sextet: Forward Thinker.
Wouldn't have found this for myself. Thanks to the grapevine of people who correspond with each other and make suggestions about jazz nuggets they may have missed, I got turned on to this. The band work out of Glaasgow and are a brass heavy set of jazzers who put this album together over a number of sessions that stretched across Glasgow, London and Amsterdam. The album appears on the Acid Jazz label which seem to have resurrected itself and produced some stunning, if unlikely, albums that belied its name. This is an album that I have sat down and listened to in its entierity, and I'd recommend "Search for Solace" and "From the shadows" as a starting point. I sincerely hope there's going to be another album next year.
1. Camilla George: Ibio-Ibio.
If you thought 'concept' albums were a mirage from the 70's here's one that brings together all the disparate facets of jazz in Britain today. The album is dedicated to the Ibibio people of soutj east Nigeria, and is an exploration of their beliefs and customs. The fact is that George's sax playing is at the top of her game, and she's gathered around her a luminary group of ,mainly London based, jazz players who are empathetic and lend depth to her compositions. The basis of the band is a quartet, with a special mention for Sarah Tandy's piano playing throughout. It's got great depth and is an album that I'm sure I'll return to again and again.
and then were three (that nearly made it)
O'Higgins and Luft: Pluto.
A follow up to last year's belting "Play Monk and Trane" , which contains only one eaach of compositions by the above. The rest are 5 compositions by Dave O'Higgins and two by Rob Luft. The band are really tight, and it's good to hear Ross Stanley playing only piano. Possibly, if it had arrived earlier, it would have tipped into the ten - highly recommended.
Soul Revivers: On the groove.
Another unexpected release on the revived Acid Jazz label. About the group/remixers/provenance I know nothing. It contains a number of reworked reggae tracks , including two Ernest Ranglin tracks and two attributed to 'Ms Maurice' of Kokoroko ( and also Camilla Goerge see #1 above). I'd like to think that there'll a follow up, but even as a stand alone project this is pretty fine.
Could we be more: Kokoroko
They are peerless live. I was eagerly anticipating this album (Abusey Junction by the band is the most played track on the show over nearly 15 years - recently overtaking 'Idle Moments' by Grant Green.)
There are some belting track on this album, but it doesn't really sustain the quality throughout and its to be hoped that for the follow up they create an album's worth of really strong material, because even on disc, when they burn, it's hot. Still a great album.